Category Archives: Uncategorized

Episode 47. Caved In: The Descent (2005)

The Descent

Andrea and Alex take a deep dive into Neil Marshall’s 2005 contemporary horror classic, examining the intersections of intimacy, adventure, trust and truth. Who will survive, what will be left of them and which ending will they go with?


The Descent. Dir. Neil Marshall, 2005.


Cave Ecosystems: Bones and Baskets – A concise exploration of caves and humanities on going use of them.

Ruthless Reviews – The Descent. A oppositional spin on the film’s depiction of women.

Visual Pleasure and Narrative Cinema by Laura Mulvey – a seminal text for film analysis that introduced the concept of the male gaze.


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Episode 45. Monsters Ball: Gremlins (1984)


‘Tis the season to be scary! Andrea and Alex unpack all the rules that come with Gizmo and the Mogwai and what they mean to small-town America at Christmastime. Don’t get your values wet or feed them after midnight!


Gremlins. Dir. Joe Dante, 1984.

Gremlins 2: The New Batch. Dir Joe Dante, 1990.


Orientalism by Edward Said. A book that has only gotten more relevant since its publication 30 years ago.

Key & Peele’s hilarious full sketch on the writing process for Gremlins 2.

The Faculty of Horror Spotify playlist! Have yourself a scary little Christmas with the Faculty of Horror playlist on Spotify.


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Episode 44. If I Could Turn Back Time: The Night of the Hunter (1955) and The Innocents (1961)


Andrea and Alex examine two cult classic films which explore the notions of time, childhood and misplaced nostalgia. Both films explore history’s dark secrets and the frailty of humanity but do either of them offer a truly happy ending?


The Night of the Hunter. Dir. Charles Laughton, 1955.

The Innocents. Dir. Jack Clayton, 1961.


The Great Depression – a history and overview.

Freddie Francis on The Innocents – The film’s cinematographer reflects on his work.

The Batcave’s 1,000 Subscriber Announcement – Got a question? Ask us! And don’t forget to subscribe to Andrea’s YouTube channel while you’re there.

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Episode 43. Compendium of Fear: Creepshow (1982) and Trick ‘r Treat (2007)


The possibilities are endless when it comes to a good scare. The horror anthology is a rarity in the genre but when executed successfully they are beloved. Andrea and Alex do a deep dive into two infamous cult classics which deal in a variety of stories taking place around everyone’s favourite holiday.


Creepshow. Dir George A Romero, 1982.
Trick ‘r Treat. Dir Michael Dougherty, 2007.


Trick ‘r Treat: Season’s Greetings – The short that started it all.

History of Halloween. An extensive overview on how the holiday came to be.

Faculty of Horror’s 31 Days of Halloween – Take a look at Alex and Andrea‘s list of horror movies to watch in the spookiest month.

Stephen King’s Reign of Terror. We team up with our friends at Movies Ruined My Life for a three hour episode all about King.


 Intro song: Nail Ballet from Nightmare Picture Theatre, courtesy of James Zirco Fisher.
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Andrea’s 31 Days of Halloween Horror

You survived the first 16 days of Alex’s picks, huh? Well, turn off your devices, dim the lights and brace yourself for the last 2 weeks of October!


October 16: Night of the Living Dead (1968). Seriously, is there ever a bad time to return to this classic? Personally, I get hit with something new every time I watch it. Just don’t accidentally fire up the 20th anniversary edition – I can’t be held responsible for that.

October 17: Night of the Comet (1984). A comet crosses Earth’s orbit for the first time since the dinosaurs walked, turning people into either zombies or piles of red dust. The ’80s is strong with this one (in a good way), and the Belmont sisters are among the most badass ladies in horror.

October 18: Session 9 (2001). This film is a straight-up masterpiece of subtlety that I appreciate more with each watching. Bonus points: for a film with no female leads, its critique of the pressures of patriarchy is actually feminist AF.

October 19: Onibaba (1964). I’m a sucker for foreign horror movies about folklore and history. Whether you give yourself over to the supernatural, cautionary fairy tale elements or the sobering depiction of feminine wartime hardship, this one’s hard to forget.

October 20: Pin (1988). It might be a mission to find this Canadian made-for-TV gem, but trust me, it’s worth it. The story of a young man who learns about the birds and the bees from a medical mannequin and his emerging mental illness is told from the perspective of his sister, and the results are surprisingly moving.

October 21: I Walked with a Zombie (1943). Think of this film as something of a palate-cleanser – an incredibly beautiful and sensitive film that’s also one of the more accurate cinematic representations of Haitian Voodoo zombie lore.


October 22: Let’s Scare Jessica to Death (1971). This movie‘s poster should appear next to the dictionary’s definition of “gaslighting”. Told entirely from the point of view of a woman who was recently discharged from a mental institution (internal commentary and all), Zohra Lampert’s empathetic portrayal of Jessica is sure to hit you in the feels.

October 23: Deranged (1974). Move over, Norman Bates! Ezra Cobb loves his mom just as much and boasts a higher body count. Based on the life of Ed Gein, Deranged uses a unique pseudo-documentary format that sneaks some clever satire into its narrative.

October 24: Buried (2010). 95 minutes of nothing but Ryan Reynolds to look at! I’m a sadist, I know. Most people caught on to the conceit of a whole movie spent in a coffin with someone who’s been buried alive, but people who didn’t see it missed out on some inventive cinematography, a politically-charged plot and a surprisingly raw performance from someone we mostly know for making fart jokes. Give it a chance.

October 25: Wyrmwood (2014). Billed as “Mad Max meets Dawn of the Dead“, this one came at a time where post-apocalyptic zombie movies were well-trodden territory. Still, the feature film debut of Australian filmmaker Kiah Roache-Turner lulls you into a state of familiarity before smacking you upside the head with some incredible fight scenes and introducing you to a very powerful lady. I’m looking forward to the upcoming sequel in 2017.

October 26: Suicide Club (2001). Kids these days. You never know when the next big fad will hit. In Suicide Club, a rash of teens offing themselves in huge numbers has a pair of detectives baffled. You’ll be pretty baffled too, in the end, but not before witnessing some chilling scenes, including an unforgettable musical sequence by actual Japanese musician Rolly.


October 27: Cube (1997). This horror/sci-fi feature debut by Vincenzo Natali proves that low budget is no constraint on high concept. Watch it in a big, spacious room, preferably with a window open.

October 28: Beneath (2013). Not to be confused with Larry Fessenden’s sub-par creature feature of the same name that came out the same year (because that’s not confusing), Beneath is a story of coal miners who get trapped in a mine shaft with limited air. Go crazy? Don’t mind if they do!

October 29: Gyo: Tokyo Fish Attack (2012). Don’t be fooled by the cheerful anime; this bizarre-o body horror tale still haunts my dreams. The less I say about the plot, the better. It starts with fish; I’ll leave it at that.

October 30: The Gate (1987). It’s Devil’s night, and what better way to celebrate than inadvertently opening a portal to a demon-realm! The Gate is fun, funny and ’80s nostalgic as all heck. Plus, best see it now in case Alex Winter’s proposed 3-D remake actually happens and ruins it for everyone.

October 31: Hausu (1977). It’s Halloween night already? Let’s face it, you’re probably either wasted or being interrupted every 5 minutes by some pumpkin-costumed brat at the door, so here’s a super-fun, wack-a-doodle oddball that doesn’t require too much concentration.


Happy Halloween, everyone!

Episode 42. French Kiss: Calvaire (2004) and Martyrs (2008)

nfeDiving into the depths of France and Belgium, Alex and Andrea examine the politics and borders of New French Extremity. Confronting the complex historical narrative that France has created for itself, all is not as it appears as these films bring the repressed to light.


Calvaire. Dir Fabrice Du Welz, 2004.
Martyrs. Dir Pascal Laugier, 2008.


Films of the New French Extremity: Visceral Horror and National Identity – Alex’s book on things French, filmic and extreme.

Saint Joan of Arc’s Trials – a fascinating morbid legal procedural.


 Intro song: Nail Ballet from Nightmare Picture Theatre, courtesy of James Zirco Fisher.
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