Tag Archives: David Cronenberg

Episode 89. Die Partisan: The Dead Zone (1983)

SURPRISE! We’re back with a bonus episode to help you get through Election Day and the ensuing aftermath by talking about David Cronenberg’s The Dead Zone. In this episode, we delve into notions of fate, time travel paradoxes, cults of personality, the responsibility of the individual, and the importance of a good wool coat.
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The Dead Zone. Dir. David Cronenberg, 1983.


The Witches Are Coming. Lindy West’s essay collection written in response to the rise of Trump.
David Cronenberg, Debra Hill and Martin Sheen interviews. Interviews from the release of the film complete with great fashion and chain smoking.
The Philosophical Problem of Killing Baby Hitler, Explained. Vox’s explanation of the grandfather/Hitler paradox.
A Cult of Personality Can Derail Democracy. Why it’s important to recognize the danger of the track we’re on.


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Episode 32. I Want Your Sex: David Cronenberg’s Shivers (1975)


Alex and Andrea are joined by Paul “Canuxploitation” Corupe to deconstruct the architecture and isolation of David Cronenberg’s first feature, SHIVERS, within the context of the Canadian film industry. So grab your favourite parasite, check on your neighbours and listen in.

To enter the HORRORWOOD NORTH giveaway – use #Horrorwood and tag us (@FacultyofHorror) with your favourite Canadian horror film (contest open internationally).

To enter the SATANIC PANIC giveaway – use #SatanicPanic and tag us (@FacultyofHorror) with your favourite Satanic film (contest open internationally).


Shivers. Dir David Cronenberg, 1975.


From Cinépix to Cineplex: The Studios that Dripped Maple Syrup. From Paul Corupe’s excellent Canuxploitation website, a look at the studios that helped shaped Canadian genre films.

Language Conflict in Quebec. An overview of Quebec’s political and social turbulence from the late 1960s to 1980s.

FEAR ON FILM: Landis, Carpenter, Cronenberg! An excellent interview with Cronenberg and other horror auteurs.


 Intro song: Nail Ballet from Nightmare Picture Theatre, courtesy of James Zirco Fisher.
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